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It was released on February 23, 1999, under Interscope Records and Dr. Dre's Aftermath Entertainment.[1] Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Dre and Jimmy Iovine, the album features production from Dr. Dre, the Bass Brothers, and Eminem himself. The majority of the record's lyrical content is written from the perspective of the rapper's alter ego Slim Shady, whom the rapper created on Slim Shady EP (1997). The lyrics are noted for their over-the-top depictions of violence and heavy use of profanity. The album was met with both critical and commercial success; critics praised Eminem for his unique lyrical style, and the record debuted at number two on the US Billboard 200 chart behind TLC's FanMail with 283, 000 copies sold in its opening week. The first official single, \"My Name Is\", peaked at number 36 on the Billboard Hot 100. The Slim Shady LP went on to be certified quadruple-platinum by the Recording Industry Association of America (RIAA). The record won a Grammy Award for Best Rap Album, and in 2003, the album was ranked number 273 on Rolling Stone magazine's list of the 500 greatest albums of all time. The Slim Shady LP turned Eminem from an unknown rapper into a high-profile celebrity. Interscope Records awarded him with his own record label, Shady Records, and he embarked on an extensive touring schedule to promote the album. In the summer of 1999, the rapper frequently performed on the Vans Warped Tour and in hip-hop clubs. He also became a highly controversial figure due to his lyrical content, which some perceived to be misogynistic and a negative influence on American youth. 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It’s been over five years since the release of his critically acclaimed album The Sun’s Tirade, but this new record reaffirms Rashad’s status as one of rap’s most gifted storytellers. The project is varied and diverse, showcasing Rashad’s comfort in a host of different themes and moods. He veers between reflective and braggadocious as he unpacks troubling thoughts and ephemeral thrills over soundscapes from Kal Banx, Hollywood Cole, Kenny Beats, and more. On standout “From the Garden,” Rashad flaunts an intricate flow as he trades quick-fire flexes with Lil Uzi Vert, making for a song that begs to be shouted. The single “Headshots (4r Da Locals),” by contrast, finds Rashad in an introspective space, murmuring as he reflects on battles with addiction and past trauma. Other tracks, like “Wat U Sed” offer up dazed croons and low-key bounce. Each song is distinct from the last, forming a vibrant tapestry of sounds. 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