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The Best of Sade is the first greatest hits album by vocalist Sade Adu and her band. It was originally released in November 1994. By Epic Records. Sade formed in London in 1982. However, three of their members were originally from Kingston upon Hull in the East Riding of Yorkshire. Their music features elements of soul, R\u0026amp;B, jazz, soft rock, and funk. Sade's 1984 debut studio album Diamond Life, was a hit internationally, reaching # 1 in several countries and the Top Ten in the US where it has sold in excess of 4 million copies. In late 1985, Sade released their second studio album Promise, which peaked at No. 1 in both the UK and the US. It was certified double platinum in the UK, and quadruple platinum in the US. In 1986 Sade won a Grammy Award for Best New Artist. Their 2000 fifth studio album, Lovers Rock, won the Grammy Award for Best Pop Vocal Album. 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The band's first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW; and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their self-titled debut.\u003c\/p\u003e\r\n\u003cp\u003e\"Every step of the way has just been so organic,\" says drummer Alex Garcia. \"Things just seem to happen naturally when the three of us get together.\"\u003c\/p\u003e\r\n\u003cp\u003eIndeed, there's something inevitable about the sound of Thee Sacred Souls, as if Garcia and his bandmates - bassist Sal Samano and singer Josh Lane - have been playing together for a lifetime already. 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Despite all of the advances in computer recording technology, home studios, and electronic instruments, there is a flourishing interest in analog recording techniques and in recreating the mood and sound of vintage soul records. With one foot in the past but their eyes firmly set on the future, El Michels Affair are among the leaders of a resurgent funk \u0026amp; soul movement from New York City that's sweeping both the music community and the charts. Led by saxophonist\/organist Leon Michels and producer\/engineer Jeff Silverman, El Michels Affair began as a loose collaboration of session musicians (including members of top-selling acts Sharon Jones \u0026amp; the Dap Kings, the Budos Band, and Antibalas) that looked to blend some of the vibrant quality of soundtrack records with the recording aesthetic of early reggae, and the rawness of 60's rock-they called it 'Cinematic Soul.' This delicate balance was evident on their 2005 debut album Sounding Out the City, which earned critical acclaim and acted as the inaugural full-length release for Michels and Silverman's burgeoning label Truth \u0026amp; Soul (also the moniker for the duo as a production team). The buzz generated from the album and a series of moderately successful 7\" vinyl singles from Truth \u0026amp; Soul led to an invitation by Toyota's Scion division for El Michels Affair to accompany the rapper Raekwon of Wu-Tang Clan for a promotional concert. As avid Wu-Tang fans, not only were the band leaders thrilled with the opportunity, but Michels found that the 'Cinematic Soul' sound was consistent with the moods of RZA's gritty soundscapes on the classic Wu-Tang releases. The concert was such as success, El Michels Affair went on to play several more concerts nationwide backing Raekwon and other members of the Clan, and the shows led to the recording of two smash 7\" singles featuring instrumental reinterpretations of the Wu-Tang classic songs \"C.R.E.A.M.\" and \"Bring Da Ruckus.\" The singles combined to sell an extraordinary amount of over 7,000 units worldwide, and their success led to a contract in 2007 with indie hip hop powerhouse Fat Beats Records to record an entire album of Wu-Tang Clan interpolations entitled Enter the 37th Chamber. Since the contract was inked, a worldwide explosion of retro soul led by Amy Winehouse, Mark Ronson, and Sharon Jones and the Dap-Kings has transformed the pop music landscape, and the Truth \u0026amp; Soul production duo have been in strong demand, recording with everyone from breakthrough Grammy-nominated artist Adele to punk rock innovator Iggy Pop. They've been commissioned for official remixes of Amy Winehouse and Dinah Washington (for the popular Verve Remixed series), and produced for Australian multi-platinum acts Jet and Gabriella Cilmi. Despite the eclectic group of clients for the Truth \u0026amp; Soul production company, El Michels Affair continued to build an audience within the hip hop community. A track from Sounding out the City was sampled for Ghostface Killah's 2007 track \"Shakey Dog Lolita,\" and a horn part written and performed by Michels (for Menahan Street Band) was famously lifted for Jay-Z's smash single \"Roc Boys.\" Truth \u0026amp; Soul also worked in the studio on original productions with multi-platinum producer Just Blaze (T.I.'s \"Live Your Life,\" Jay-Z, Usher). With their increasing presence behind the scenes in the industry, El Michels Affair looks to have their status as recording artists rise significantly in 2009. 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It's not an album. It's a sermon. A twelve-track exorcism howled from the underbelly of late-stage capitalism, written, produced, and conjured entirely by Marcus Brown. This ain't soul revival. This is soul revenge. Crafted between London, New York City, and Baltimore-each city leaving fingerprints on the sound-The Passionate Ones channels Marcus's global process with local truth. Born and raised in Baltimore, Brown's work is profoundly shaped by the city's rich and eclectic musical heritage, where jazz, punk, indie, hip hop, and R\u0026amp;B collide in raw, genre-fluid harmony. You can hear it in the tension and release, the way the tracks slip between worlds and histories. The Passionate Ones is a scream at the billboard promise of success: It was never the car that was the lie-it was the idea that you'd ever get to drive it. And Marcus Brown knows it. He's not whispering revolution. He's crying through a busted speaker with blood on the woofer. Each track hits like a confession soaked in gasoline. One of the standout moments comes on the eighth track \"Jojo,\" featuring a vocal appearance by UK producer and vocalist Tony Bontana. His presence is haunting, grounding the song in a quiet power that amplifies the album's spiritual undercurrent without softening it's fire. This isn't just heartbreak. This is class solidarity sung through a cracked molar. Brown's voice burns as it soothes. Like that good medicine. And through the smoke, we see ourselves: overworked, underpaid, and refusing to go numb. This record isn't background noise. It's a boot to the teeth of resignation. It's love without capitalism. Faith without churches. Labor without applause. 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